i'm a raggedy rich girl with empty pockets looking at those invisible diamonds on my fingers
you are a list of encores on my palms an a to z of inhalations
exhalations
if these simple lips and tight tongue could put voice to that breath they’d talk the wind of a web of the bind of supine spells that snare me in the sound of your name
in a pitch night of flawless entrapment fucking with monumental moods swings in between the blades of these venetian blinds shades of flaring orange and intrepid indigo you kiss (like its supposed) to make everything ok i rise and fall in turbulent tides, turning, forever turning
Dangling from the edge of a dawn chorus
over dreams of Onyx unicorns and fawning lilies
who turn their sex to a moaning misty moon
clouded in lost love songs not yet born
love so potent it’s daunting
haunting until my stomach comes out on my tongue
I give what I have
and I desire only to be here
there are wet eyes in the sky tonight watching a rich girl with empty pockets slipping a diamond so willingly onto his finger
They show up out of the blue
Fuzzy edged figures shaped like memories
bright brown circles rimmed with the pale blue yesteryears
of curdled dreams, clouded in 1950’s sepia dementia, so
you asked the same question, “Wat your name again?”
In amongst the others you sit
a young old man, Nevis citizen, England bound
a tailor’s profession proudly tucked under your arm
like a broadsheet - important, like folded wings –
a new life under the protection of a Motherland beckoning
fledgling, sure of the uncertainty
of migrating, certain of your manhood
Some time settling.
Enough to sever ties
enough to know when you’ve been lied to
Then something rustling.
a reminder, a soft alarm
like the syrupy resonance of a familiar calling,
a hunger, a wondering - “Back ‘Ome”.
Back then
never knew
how you were gonna get back home
just held a spirit
that wanted forward
In amongst the others
the other fragile catacombs
whose chairs are positioned to face a TV
who sit so still so not to disturb the dust
you see them, familiar strangers who smile as they approach you
- your daughter and her child, they say.
You talk and they listen
and you know you forget things but they don’t seem to mind
besides they feel warm and want to know you
they feel like home
and every time they make farewells, you tell the girl child,
“Look after your muddah” and that you thank them for coming
cos you’re not long for this world, you’re waiting,
“Waitin’ on di Lawd.
Waitin’ on di Lawd to call me.
To call me to com Back ‘Ome”.
Cherie is a character from Travelling Light, the new one woman show and she is anxious. She learns her anxiousness is so closely linked to her growing up in a deprived area of Birmingham, where women not much is expected of 'girls', said most times with a loaded sense of disregard when they have dreams. She comes down to London aged 18 and falls into a similar crowd the one she left behind in Brum, a crowd where Sex is currency, and a "relationship" or "friendship" with benefits, is just something you did to pass the time.
Her new sense of womanhood only comes to light after an extremely traumatic 3 years, where she runs away from an abusive marriage, with Amy her 2 year old, and finds new love that she is not sure will come to full fruition if she cannot get healed from some of the damage done to her in her previous marriage.
the bridge of your brow
the ridge of your nose
the arch of your lip
the hill of your chin
the paths my eyes love to run along
backwards and forwards, up and down
a child at tireless play
falling flat on my back with giggles in my belly
rolling onto my side looking at them all again
jumping off the bridge of brow
freefalling off the ridge of your nose
sitting like a smiling baby Buddah under the arch of you lip
rolling pin down the hill of you nose
flopping down onto your chest
run rugged and breathless
laughing doing it all again
Saturday, 19 March 2011
When the leaves have fallen
And the trees are asleep
When the snow reflects
The sun
And the Winter Moon keeps
The city illuminated and iridescent in her pearly gaze
I’ll treasure the sight of your breath
Escaping you lips
A delicate mist
And forever repeat the words that you uttered
Those silent dandelion puffs on the breeze of my memory
When the stars are extinguished
And the horizon is no more
My love for you will remain unpolished
cherished
All too often we hear about young boys, particularly ones of African descent, not having father figures and going off the rails. We hear about them either ending up as fodder for jail, aimless wanderers with no idea how to behave as men and/or winding up being absent fathers themselves, with no sense of responsibility. Well guess what, sometimes those fatherless men end up with fatherless daughters because these women have no idea what it means to have an entity around the house being a father or a man either.
If there are no other male role models in their lives - friends, uncles and such - then the journey to knowing what a 'Man' looks like is distressing. Men are NOT the same as women purely because of that macho patriarchal socialization, programming and training of what a man is supposed to be. Posturing Rap stars, magazines like FHM and bolshie arrogant banking city and media types have a lot to answer for. But even then I think that idea is a confused misnomer. Who knows what manhood looks like these days when men can buy calf, bicep and pec implants, have as many cosmetic products as women and expect women to pay their way out of spite for all the years they had to. Ok, maybe I'm being harsh there.
What I think is important though, is that there is a human responsibility to the nurturing of the future generations. Boy AND Girl children need good female and male ideals around them. Not perfect cos maybe that's too much to ask sometimes but they need people around them who are seen to at least be trying to do the right thing. Kids are smart. They can tell the difference when someone cares or not.
Little girls need to feel the vibration of a man's voice that loves them. Then they will know the sound of Love. They need to feel the embrace of a man that respects them. Then they will know the touch of Respect and Love. They need to see the silhouette of a man wishing them sweet dreams. Then they will know the shape of support for their dreams when they see it, the touch of respect when they feel it and the sound of Love when they hear it. No woman should suffer any form of abuse at the end of the fist or tongue of a man. It is unnecessary let alone wrong.
This poem is the for the father I have never known but who I love still for his absence. Part of my journey to finding out the true meaning of Womanhood has been through an unpredictable and rocky path to understanding Manhood. Click, listen, read, immerse, enjoy. Peace. Z
If Daddy
daddy's gone
daddy's gone
daddy's gone
daddy's gone away
yes daddy's gone to stay gone
Was my existence braided on purpose
in to the journey of your mission bound spermatozoa?
where were they headed for real though?
meant for the long dark red of my mothers fallopian tube?
to her open womb?
where i unfurled into this life
a full thing with no name from my fathers side
just a black strike on my birth certificate
my fathers namelessness comes to me in dreams
or in the films of other peoples daddy’s
I’d turn my face ashamed of my dad
yes blindly ashamed and blissfully proud
I’d be comforted, reassured and strong with my daddy
as he carried my 3 foot high body, my head resting on his shoulder
while he strided like palm trees sway
but I'd also be angry and hateful toward my daddy,
grateful toward my daddy, cuss him out in my pillow,
wish he were dead and call him by his first name for a week,
my jaw stubborn as the karma of my life without him
I’d be dutiful daughter and kiss him sweet on the cheek at bedtime
I’d want to smack my own dad in the mouth
disobey his rules / come back 43 minutes after curfew and not apologise
I’d be his sugar dumpling, loyal and smiling,
I’d be full of love then I’d curse in front of him and back chat,
wear make up at thirteen and never bring my boyfriends home to meet him
I’d do all these things and more
just to test to my daddy
fling my arms around his neck and see if he’d forgive me
just to make sure,
I’d put my dad through hell
I’d do all these things and more
just to make sure
but where does the fire from all these impetuous tempestuous feelings go
in the of decades space, shoulder deep into an army back pack
smelling of johnny cakes mum made on Sundays and gunpowder
from the war that took him when i was three weeks old.
my daddy was an army man with black cat claws
and couple of other women’s draws, notched on his rifle butt,
but he loved me enough to write a letter or two....
to do the right thing by his baby mama
daddy should know his girls feet are strong
her shoulders are broad
that refined things don't pass by her ears and eyes unnoticed
no one can talk to her as if she’s
a fool
Daddy. Dad. Daddy.
How does that word sit on my lips?
a cluster of D’s exploding from my tongue
vibrating the air around me like an ectoplasmic echo
But I ain’t mad, just lonely
to know know what saying “Daddy”would be like
and a voice with bass in it
that recognised mine like keys in locks
would call back
opening doors to safe and sound security
a full night sleep with my Super Dad snoring loudly down the hall
i do not feel beautiful while you sleep
and I know this is wrong
i should not need your words or your gaze
but they make me feel good
i feel good, good
like all the badness i've ever done
were things that somebody else sung about
someone else wrote in the chords of their imaginings
i have no part of them
whille you sleep i wait up for your return
from the dogs, swimming pools, dungeons and rope ladders of your dreams
that you tell me about in the morning
I could watch you sleep for days
that way I'd know where you are
that way i can be next to you while you expose the underbelly of your vulnerability
knowing you trust me, trust that i think you are beautiful too